I remembered loving it in grade school, and The Outcast of Redwall was my favorite book of the series. There were several unlikable characters Bryony comes to mindthe philosophy of "all of carnivora is EEEEVVIILLLL, except badgers and otters for some reason, and that one cat from Mossflower" continued unchecked, despite the poten The past summer I decided to re-read some of this series. There were several unlikable characters Bryony comes to mindthe philosophy of "all of carnivora is EEEEVVIILLLL, except badgers and otters for some reason, and that one cat from Mossflower" continued unchecked, despite the potential in the title, and despite the title, Veil got almost no actual presence. When he did, it was usually from the perspective of those around him rather than his own, so we rarely get a chance to get inside the character.
I remembered loving it in grade school, and The Outcast of Redwall was my favorite book of the series. I remember reading it several times as a kid, but upon rereading it in college, I couldn't figure out why.
When he did, it was usually from the perspective of those around him rather than his own, so we rarely get a chance to get inside the character.
Instead, he came off as a petulant brat who got what he deserved. Going to steal stuff and poison people? This pretty much sums up my adult view of the book, as well as many others it seems. But what made it so endearing as a child? Why was I rooting for Veil then, and despising him now?
It took me almost 6 months to realize that as an adult I was typecasting him and ignoring what HE was saying. I've grown much more discriminating and less accepting, no doubt as a result of age and experience, though undesirable.
As a child, I was listening to Veil's voice, not that of the Badgermum. At one point Veil asks some friar why he's always getting blamed for things going missing and the problems.
Bryony supports him, claiming they always blamed Veil from the time he was a Dibbun. I filled in the blanks for Veil then Though, all we see as readers is the "bratty Veil", and I believe this is a key flaw. That being said, I enjoyed the story of Sunflash far more the second time around.
Partly this was due to the fact that I already knew it would take up a good half of the book, and partly because I find badgers to be one of the more interesting species in the Redwall universe. Its very true that the different species are strongly stereotyped as good or bad, but badgers seem to have a healthy dose of grey area due to their berserker rage and the accompanying burdens of typically assuming some form of leadership role.
Sunflash was by far one of the greatest and most complex characters in the series, despite being cast next to many of the least original and shallow characters Bryony I enjoyed Swartt a lot more in 5th grade, probably because I couldn't recognize the fact that he was completely interchangeable with any other Redwall villain.
To be fair, he was probably one of the only villains with a good reason for going on a campaign of war due to his history with Sunflash, and he didn't obsess over Redwall as though it contained some kind of treasure or as if there really was a good reason to set a siege there.
It's just an abbey, and the only thing worth stealing is a tapestry, as we learned in both Redwall and Marlfox Even if he wasn't chased off by Skipper he probably wouldn't have been particularly interested, since Sunflash wasn't there.
The most annoying part though, was that even when he had chances to take on Sunflash, he preferred just tying him up so that he could escape later, and was too afraid of Sunflash to actually battle him one on one. Sunflash might not actively train either, but he's a badger--much larger than Swartt, naturally stronger, and has berserker strength.
He doesn't need to train. But if you're a ferret going to take THAT on, don't you think you'd prepare a little better, instead of relying on a fox's woo-woo nonsense? Then again, Redwall villains are never that smart or tough, relying on numbers rather than wits.
Even the more intelligent ones aren't as sharp as the dullest of the dibbuns most of the time. To conclude, I rated this four stars to average out both times I read it.Roger schawinski dissertation writing essays accident i witnessed an execution salutation to the dawn poem analysis essays chopin ballade 1 analysis essay pearson essay collector eggs, krimen sa pilipinas essay redwall veil outcast essay football teamwork essays interesting or amusing story about yourself essays on global warming essay on save girl child pdf psychoanalytic feminist literary.
The main character ends up a slave at some point in the story. It doesn't necessarily stick. There is often a scene in which the character is being sold on the slave market, showcasing all the evils of slavery; the protagonist will witness how families are torn apart, will have to undress and be examined like an animal, and will perhaps be beaten.(Artists are particulary fond of the undress.
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Veil on the French edition of Outcast of Redwall. Veil then went to seek out his father, Swartt. Unbeknownst to Veil, Bryony, along with her friend Togget, were following him.
Veil made his way to Bat Mountpit, where he finally met up with Swartt. Swartt and his son, however, quickly grew to hate one another, ultimately attempting to kill each other. Wolfgang eden dissertation defense redwall veil outcast essay research papers in education chevrolet sectionalism in the united states essays darden mba essay psychology internship application essays afro asian african literature essays mumbai in essay help.
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